selected works below

Since graduating from the Royal College of Art in 2009 with a Masters Degree in Jewelry, Maisie Broadhead’s work has been critically noted by the British Press and has been exhibited in major museum shows such as Unexpected Pleasures: The Art and Design of Contemporary Jewelry, which was held at the National Gallery of Victoria, Australia in 2012 and which toured to the Design Museum, London (5 December 2012 – 3 March 2013), as well as the National Gallery’s first major photography exhibition, Seduced by Art: Photography Past and Present (October 2012 – January 2013, touring to CaixaForum Barcelona, February 2013 – May 2013, and CaixaForum Madrid, June 2013 – September 2013). This exhibition explored early photography from the mid-19th century and exciting contemporary photographs, alongside historical painting.  She was also recently included in ‘Modern Makers’ curated by Sotheby’s, September – December 2013, and has been shortlisted for a public commission at the Royal Pavilion, Brighton in 2014. She also is also represented by Sarah Myerscough in London.

Maisie Broadhead re-interprets art historical images, and is concerned with the exploration of illusion and the idea of ‘value.’ Broadhead’s exceptional eye for detail, quality and composition is conveyed through the making of complex set design, lavish costume, and theatrical direction to arrive at a final image. The viewer’s eye indulges in Broadhead’s re-presentation of rich, sumptuous fabrics, often with humorous contemporary embellishment. By using contemporary and historical elements, the images link the past and present by identifying enduring social and aesthetic narratives.

“The connection with art history enriches photography’s vocabulary, and it is a productive kind of retrospection for a practitioner like Maisie Broadhead, who borrows freely from past art … [Broadhead’s] photographic illusion is rich; each figure, each tint is sympathetically reimagined’ – Hope Kingsley, Seduced by Art: Photography Past and Present (London: National Gallery Company, 2012)