"There's something about taking a plow and breaking new ground. It gives you energy." Ken Kesey
Sulo Bee’s work feels like the future dressed in relics—electroformed dreams, metal-plated feelings, mythologies born from glitter and gut. A nonbinary, interdisciplinary artist based in Central Texas, Sulo creates objects that live somewhere between jewelry, creature, and artifact. Their world—known as $P4RKL3_FiLTH_CL0UD_NiN3—is a speculative ecosystem where queerness blooms like a weed and nature mutates into new myth.
Each piece is hand-fabricated or electroformed, giving it the texture of excavation: as if unearthed from a time that never was, but should’ve been. Materials corrode, sparkle, swell. Beauty becomes something feral.
Sulo holds a BFA from Texas State and an MFA from SUNY New Paltz, and their work has traveled widely around the world. No matter the venue, the work remains grounded in queer embodiment and resistance. It’s deeply personal, fiercely communal.
In GARDEN, Sulo’s pieces are not mere adornments—they’re thresholds. Openings into parallel truths, where creatures made of rust and rainbow remind us that decay and transformation are part of the same magic.