"If you look the right way, you can see that the whole world is a garden." - Frances Hodgson Burnett
Anna Ágnes Bánkuti draws with the hand, but also with memory, myth, and the quiet intricacies of daily life. Born in Hungary and trained in Germany at both the Stuttgart State Academy and Pforzheim University, her work bridges fine art and wearable design—each piece a delicate, personal tableau.
Using a translucent plastic as her canvas, Bánkuti renders finely detailed sketches of botanical and symbolic forms, turning ephemeral linework into lasting ornament. Her drawings, etched and layered by hand, evoke herbarium pages, illuminated manuscripts, and storybooks, all transposed into jewelry worn close to the body. There's a softness to her precision; a sense that these objects carry histories not just of nature, but of care and intention.
Raised in an art-saturated home by a photographer and an art journalist, Bánkuti’s visual language was shaped early. That childhood intuition still lingers in her pieces—refined, but never overworked. The result is jewelry that hums with quiet clarity.